![]() Gornick counters this by drastically reducing the overall running time from 120 minutes to just over the customary ninety. ![]() However, it also presents an altogether different dilemma as each of its parts has a longer duration to fill and more emphasis is placed on each holding up their end of the bargain. One would presume that he didn’t wish to set himself up to fail as three cohesive pieces is enough of a conundrum for most, let alone a quintet. Wisely, Michael Gornick’s second installment of a trilogy of two (James Glenn Dudelson and Ana Clavell’s cataclysmic third need not figure) doesn’t attempt to juggle too many hacky sacks and opts for two less segments than Romero’s five. ![]() Romero’s tasty five-tiered treat, any successor would be required to perform a minor miracle to stand a snow cone’s chance in Dubai of being considered fit to bear the same moniker. Historically, this has proven a particularly tough sub-genre to nail and, after George A. Attempting to follow in the footsteps of an anthology as consistently brilliant as Creepshow is a formidable undertaking. ![]()
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